orange order
From 1991. Photographs of this Protestant organisation examine the order as a closed and semi secretive. The photographs offer glimpses of this powerful socio political group. The photographs are typically fragmented and evasive, never overtly critical or explanatory. They avoid descriptive narrative and the simplistic lampooning of the order that is typical in journalism. Seawright, a protestant, glances sideward at himself and asks difficult questions about his own identity and history using the order as a lexicon and mirror